Working between the documentary and the imaginary, Škarnulytė makes films and immersive installations exploring deep time and invisible structures, from the cosmic and geologic to the ecological and political. Winner of the 2019 Future Generation Art Prize and the Ars Fennica Award 2023, Škarnulytė represented Lithuania at the XXII Triennale di Milano and was included in the Baltic Pavilion at the 2018 Venice Biennale of Architecture. She most recently presented works at MORI Art Museum, Kiasma, Gwangju Biennale, Helsinki Biennale, Vilnius Biennale, Henie Onstad Triennale. She has had solo exhibitions at Canal Projects, New York (2024), Ferme-Asile, Sion (2023); Kunsthaus Pasquart, Biel/Bienne (2021); Den Frie, Copenhagen (2021); National Gallery of Vilnius (2021); Künstlerhaus Bethanien, Berlin (2017); Contemporary Art Centre CAC of Vilnius (2015). In 2022, Škarnulytė participated in the group exhibition Penumbra organized by Fondazione In Between Art Film on the occasion of the 59th Venice Biennale. She has films in the collections of the Centre Pompidou, Kadist Foundation, HAM, IFA, and her works have been screened at the Tate Modern and Serpentine Gallery in London, Centre Pompidou in Paris, Museum of Modern Art in New York, and numerous film festivals including Rotterdam, Busan, Hotdocs and Oberhausen.It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for 'lorem ipsum' will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like). Read More